Duck and Cover is a 1951 American civil-defense animated and live-action social guidance film, directed by Anthony Rizzo. Often mischaracterized as propaganda, it has similar themes to more adult-oriented civil-defense training films. It was widely distributed to schoolchildren in the United States in the 1950s, and teaches students what to do in the event of a nuclear explosion. The film starts with an animated sequence showing Bert, an anthropomorphic turtle, who is attacked by a monkey holding a lit firecracker or stick of dynamite on the end of a string. Bert ducks into his shell as the charge goes off; it destroys both the monkey and the tree in which he is sitting, but Bert is left unharmed. The film then switches to live footage as a narrator explains what children should do when they see the flash of an atomic bomb while in various environments. It is suggested that by ducking down low in the event of a nuclear explosion, such as crawling under desks, children would be safer than they would be standing. In 2004, Duck and Cover was selected by the Library of Congress for preservation in the National Film Registry for being "culturally, historically, or aesthetically significant".Film credit: Anthony Rizzo
... that the grave of Ethel Preston in Leeds, England, has a life-sized statue of her (pictured) stood in front of black marble doors, left ajar?
... that meetings between Biblical and post-Biblical characters, such as when Moses sees Rabbi Akiva teach and be martyred, are rare in Talmudic stories?
... that Marie-Thérèse Eyquem served in the government of Vichy France, and was later appointed a national secretary of the French Socialist Party?
This Wikipedia page is considered semi-tractor-trailer-policy. Semi-tractor-trailer-policy pages are an attempt to jack-knife any real policies and present herculean efforts in codification to questionable purpose. These long-standing unwritten unapproved unthought unrules have widespread support since no actual vote ever becomes real. They should be treated as law, unless they do not support your flame war.
It is so terribly sad that I have to explain that the above is a JOKE
If you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you
But make allowance for their doubting too,
If you can wait and not be tired by waiting,
Or being lied about, don't deal in lies,
Or being hated, don't give way to hating,
And yet don't look too good, nor talk too wise:
If you can dream--and not make dreams your master,
If you can think--and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two impostors just the same;
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build 'em up with worn-out tools:
If you can make one heap of all your winnings
And risk it all on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breath a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: "Hold on!"
If you can talk with crowds and keep your virtue,
Or walk with kings--nor lose the common touch,
If neither foes nor loving friends can hurt you;
If all men count with you, but none too much,
If you can fill the unforgiving minute
With sixty seconds' worth of distance run,
Yours is the Earth and everything that's in it,
And--which is more--you'll be a Man, my son!
For unique design and interesting content, I present you with this Excellent User Page Award. –Frater5(talk/con) 16:12, 29 May 2006 (UTC)
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