Jump to content

The Man Who Sold the World (song)

From Wikipedia, the free encyclopedia

"The Man Who Sold the World"
Song by David Bowie
from the album The Man Who Sold the World
Released4 November 1970 (1970-11-04)
Recorded4 & 22 May 1970
StudioTrident & Advision, London
Length3:55
LabelMercury
Songwriter(s)David Bowie
Producer(s)Tony Visconti
Official lyric video
"The Man Who Sold The World" [2020 Mix] on YouTube

"The Man Who Sold the World" is a song by the English singer-songwriter David Bowie. The title track of Bowie's third studio album, it was released in November 1970 in the US and in April 1971 in the UK by Mercury Records. Produced by Tony Visconti, it was recorded at Trident and Advision Studios in London in May 1970, towards the end of the album's sessions; Bowie recorded his vocal on the final day of mixing for the album, reflecting his generally dismissive attitude during the sessions. Musically, it is based around a "circular" guitar riff from Mick Ronson. Its lyrics are cryptic and evocative, being inspired by numerous poems including the 1899 "Antigonish" by William Hughes Mearns. Bowie's vocals are heavily "phased" throughout and have been described as "haunting".

"The Man Who Sold the World" went relatively unnoticed upon initial release in 1970. It was not released as a single by Bowie, though appeared as a B-side on the 1973 reissues of "Space Oddity" in the US and "Life on Mars?" in the UK by RCA Records. It was not until it was covered by the Scottish singer Lulu, whose 1974 recording, produced by Bowie and Ronson, peaked at No. 3 on the UK Singles Chart, that the song gained mainstream attention. In subsequent decades, the song has been covered by Scottish musician Midge Ure in 1982, and the American rock band Nirvana in 1993, whose performance of the song for the television programme MTV Unplugged introduced it to a new audience.

Retrospectively, Bowie's original recording has been named one of his best songs, with reviewers praising its haunting and unsettling atmosphere. Bowie performed the track live later in his career in different renditions than the original, including in a darker style during 1995's Outside Tour; a studio recording of the tour's arrangement appeared as a B-side of "Strangers When We Meet" in 1995. He again rerecorded the song in an acoustic arrangement in 1996 for the documentary ChangesNowBowie; this version was released in 2020 on the digital version of the EP Is It Any Wonder? and on the album ChangesNowBowie. The original recording has appeared on multiple compilation albums and has been remastered multiple times, including in 2015 as part of the box set Five Years (1969–1973).

Composition and recording

[edit]

The backing track for "The Man Who Sold the World" was recorded at Trident Studios in London on 4 May 1970, along with other album track "Running Gun Blues". At this point, the track was recorded under the working title "Saviour Machine" and did not contain the title phrase.[1] According to Kevin Cann, the lineup featured David Bowie on acoustic guitar, Mick Ronson on electric guitar, producer Tony Visconti on bass, Woody Woodmansey on drums and percussion, and Ralph Mace on Moog synthesiser; Ronson and Woodmansey would later become famous as a part of The Spiders from Mars.[2] According to Visconti, Bowie recorded his vocal on 22 May at Advision Studios, the final day of mixing for the album which, when travelling to Advision, Bowie had intended to name the album Metrobolist, a homage to Fritz Lang's 1927 film Metropolis.[3][4] Chris O'Leary writes that Bowie wrote the lyrics in the reception area of the studio while Visconti waited at the mixing console. Once he finished, he quickly recorded his vocal, Visconti added a "flange" effect and mixed the track in a few hours, sending the tapes to the label later that night.[5] Bowie's last-minute addition frustrated Visconti, who recalled in 1977: "This was the beginning of [Bowie's] new style of writing – 'I can't be bothered until I have to'. When it was finished, on the last day of the last mix, I remember telling David, 'I've had it, I can't work like this anymore – I'm through' ... David was very disappointed."[6] This frustration was mostly due in part to his dissatisfaction with the recording sessions: he was mostly in charge of budget and production, as well as maintaining Bowie's interest in the project. Bowie later told BBC Radio 1's Stuart Grundy in 1976: "It was a nightmare, that album. I hated the actual process of making it."[7]

Bowie's original recording is described by author Peter Doggett as "enigmatic", while Nicholas Pegg describes it as giving an "unassuming air of pathos and menace".[8][4] Doggett notes that the track contains none of the "metallic theatrics" that are found on the rest of the album.[9] Musically, the song opens with a repeating electric guitar riff from Ronson with an acoustic guitar from Bowie underneath it.[9] (The electric bass and Moog synthesiser notwithstanding) O'Leary writes that apart from Ronson's electric guitar, the song is primarily acoustic.[10] The chord structure is in the key of F with an A major chord "borrowed" from the D minor scale,[9] similar to fellow album track "All the Madmen".[10] Throughout the song, Visconti's bass "runs scales" under the chorus and a melody "elsewhere", Woodmansey plays "ecstatic" drum fills deep in the mix and Latin-style percussion "trembling" on the surface; Ronson uses feedback to introduce the chorus.[9] Bowie's vocals are "heavily phased" during the verses and briefly doubled (which, in Bowie's words, "came as some surprise"), compressed and again double-tracked during the chorus.[9] Douglas Wolk of Rolling Stone similarly calls Bowie's vocals and lyrics "haunting".[11] Pegg describes the guiro percussion as "sinister", the guitar riff "circular" and Bowie's vocal "ghostly".[4] The tracks ends with a coda, described by Doggett as a "haunting chorale"[9] and by O'Leary as "ominous"; it contains wordless vocals and is primarily in D minor.[12]

Title and lyrics

[edit]

I guess I wrote it because there was a part of myself that I was looking for … that song for me always exemplified kind of how you feel when you're young, when you know there's a piece of yourself that you haven't really put together yet – you have this great searching, this great need to find out who you really are.

David Bowie, in an interview for the BBC Radio 1 programme ChangesNowBowie (1997)[13]

According to Doggett, the song's title has multiple "precursors": including a 1949 Robert A. Heinlein science fiction novella The Man Who Sold the Moon;[14] a 1954 DC comic, "The Man Who Sold the Earth"; and a 1968 Brazilian political satire, The Man Who Bought the World.[8] However, none have a thematic link to Bowie's song. Pegg suggests that the title partly reflects an element of "self-disgust" Bowie has over the thought of "losing control" and "selling" his private life via profoundly personal music.[15]

The lyrics are noted as very cryptic and evocative; in Doggett's words, "begging but defying interpretation."[8] Like most of his work during this period, Bowie frequently avoided giving a direct interpretation of the lyrics; he later remarked that he felt it was unfair to give it to Lulu in 1973 because it dealt with the "devils and angels" within himself (she later confessed she "had no idea what it meant").[4] Bowie once stated that the song was a sequel to "Space Oddity" which, in Doggett's words, is "an explanation designed to distract rather than enlighten", quoting the lyrics "Who knows? Not me".[8] The song's narrator has an encounter with a kind of doppelgänger, as suggested in the second chorus where "I never lost control" is replaced with "We never lost control".[16] Beyond this, the episode is unexplained: as James E. Perone wrote,

Bowie encounters the title character, but it is not clear just what the phrase means, or exactly who this man is. ... The main thing that the song does is to paint – however elusively – the title character as another example of the societal outcasts who populate the album.[17]

In common with a number of tracks on the album, the song's themes have been compared to the horror-fantasy works of H. P. Lovecraft.[18] The lyrics are also cited as reflecting Bowie's concerns with family problems and splintered or multiple personalities and are believed to have been partially inspired by the poem "Antigonish" by William Hughes Mearns: "As I was going up the stair / I met a man who wasn't there / He wasn't there again today / I wish, I wish he'd stay away..."[19][20] By claiming he "wasn't there", Bowie "compounds" the identity crisis while believing his companion "died alone, a long, long time ago."[15] Pegg writes that the "defacement of the individual" and "dread of mortality" provide "grim counterparts" to the "immortal anguish" of fellow album track "The Supermen" and the meditations on "impermanence" and "rebirth" in "After All".[15]

Release and reception

[edit]

"The Man Who Sold the World" was released as the eighth and penultimate track on Bowie's third studio album of the same name in November 1970 in the US and in April 1971 in the UK by Mercury Records.[21][22] Although no singles were issued from the album,[23] the song appeared as the B-side on the 1973 reissue US single release of "Space Oddity" and UK single release of "Life on Mars?", both by RCA Records.[24][25]

Retrospectively, Bowie's original recording has been named one of his best songs, with many praising the haunting and unsettling nature of the recording. Following Bowie's death in 2016, Rolling Stone listed the song as one of his 30 essential songs.[14] The same year, Ultimate Classic Rock, in their list of Bowie's ten best songs, listed "The Man Who Sold the World" at number 10, calling it "one of his most haunting songs of all time".[26] They subsequently commended Lulu and Nirvana's cover versions for helping bring the song into the mainstream.[26] In 2018, NME, in their list of Bowie's 40 greatest songs, ranked "The Man Who Sold the World" number 17, writing, "[The track] is not just a vintage slice of Bowie story-telling but a key part in his '90s renaissance, 20 years later", due in part to Nirvana's cover, which appeared at a time when "Bowie's critical stock was at a career-low ... coming after Bowie's late-'80s run of maligned albums."[27] In 2020, Alexis Petridis of The Guardian ranked the song 23rd in a list of Bowie's 50 greatest songs, writing, "The title track of his eeriest album remains mysterious, creepy and haunting 50 years on."[28]

Legacy

[edit]

Bowie's original recording of "The Man Who Sold the World" has been released on multiple compilation albums, including The Best of David Bowie 1969/1974 (1997),[29] Best of Bowie (2002),[30] Nothing Has Changed (2014)[31] and Legacy (2016).[32] The song, along with its parent album, has been remastered multiple times, including in 2015 as part of the box set Five Years (1969–1973).[33] Bowie performed the song on numerous occasions. He appeared on the American television programme Saturday Night Live in December 1979, performing the song with Klaus Nomi and Joey Arias. Pegg calls this version "superb".[34] He performed the song during his summer 2000 Mini Tour, including at the BBC Radio Theatre in London and at the Glastonbury Festival. Performances from these venues have been released on Bowie at the Beeb (2000) and Glastonbury 2000 (2018), respectively.[35][36] A performance from the Reality Tour is featured on the live album A Reality Tour (2010).[37]

Scottish musician Midge Ure in 2004
Scottish musician Midge Ure's cover was featured in Metal Gear Solid V: The Phantom Pain.

The song has been covered by hundreds of artists,[34] with many noting that certain covers have managed to outshine the popularity of Bowie's original recording. Scottish singer Lulu recorded a version in 1974 that was produced by Bowie and Ronson and later became a top ten hit on the UK singles chart.[19] Scottish musician Midge Ure recorded a version for the soundtrack to the 1983 film Party Party,[38] though it mainly gained popularity through its inclusion in the 2015 video game Metal Gear Solid V: The Phantom Pain.[39] American rock band Nirvana performed the song for the television program MTV Unplugged in 1993, introducing it to a new audience.[4] Speaking about Lulu's recording, Bowie recalled in 2002, "I still have a very soft spot for [Lulu's] version, though to have the same song covered by both Lulu and Nirvana still bemuses me to this day."[15] AllMusic's Dave Thompson argues that the Lulu, Midge Ure and Nirvana recordings have managed to "establish the song at the very forefront of Bowie's canon."[20] Pegg writes that the popularity of its covers have made listeners unaware that the song was written by Bowie.[4] However, Alexis Petridis of The Guardian argues that although subsequent covers have tended to outshine Bowie's original in terms of popularity, none have ever matched the quality of the original.[28]

Bowie re-recorded "The Man Who Sold the World" on multiple occasions. For performances on the Outside Tour, it was performed in what Pegg calls a "radical trip-hop revamp"; a studio recording of the song was recorded by Bowie and mixed by Brian Eno and appears as the B-side of the CD single "Strangers When We Meet" (1995) and on digital and physical versions of the EP Is It Any Wonder? (2020).[34][40][41] Following mixing in late October 1995, Eno wrote in his diary, "It sounds completely contemporary. I added some backing vocals and a sonar blip and sculpted the piece a little so that there was more contour to it."[34] Live versions of this version of the song from 1995 were released in 2020 as part of the concert albums Ouvre le Chien (Live Dallas 95) and No Trendy Réchauffé (Live Birmingham 95). A live version recorded in 1997 during Bowie's Earthling Tour was released in 2021 on the live album Look at the Moon![42] In 2020, on what would have been Bowie's 73rd birthday, a previously unreleased acoustic version, recorded for the ChangesNowBowie documentary in 1996 during the Earthling sessions, was released.[43] According to Jon Blistein of Rolling Stone, this version has "a lighter touch, with that famous serpentine guitar riff slinking around a steady acoustic strum and slowly swelling synths."[43] It features Gail Ann Dorsey on bass and vocals, Reeves Gabrels (whom Bowie collaborated with in the band Tin Machine) on guitar, and Mark Plati on keyboards and programming.[44] This version was released on the digital version of the EP Is It Any Wonder? in February 2020 and on the album ChangesNowBowie in August 2020. Stephen Thomas Erlewine, writing for Pitchfork, described the re-recording as "a nod to Nirvana popularising the song a few years earlier".[45]

Personnel

[edit]

According to Kevin Cann:[7]

Certifications

[edit]
Region Certification Certified units/sales
United Kingdom (BPI)[46] Silver 200,000

Sales+streaming figures based on certification alone.

Lulu version

[edit]
"The Man Who Sold the World"
A-side label of the UK single
Single by Lulu
B-side"Watch That Man"
Released11 January 1974 (1974-01-11)
Recorded16 July 1973[47]
StudioChâteau d'Hérouville, Hérouville, France
GenrePop-soul[28]
LabelPolydor
Songwriter(s)David Bowie
Producer(s)
Lulu singles chronology
"Make Believe World"
(1972)
"The Man Who Sold the World"
(1974)
"The Man with the Golden Gun"
(1974)
Official audio
"The Man Who Sold the World" on YouTube

The song was covered by the Scottish singer Lulu in 1974, who, according to biographer David Buckley, performed it in "a sleazy, almost Berlin cabaret style".[48] Chris O'Leary categorises her rendition as "glam-disco" and calls it "loud, captivating and distorting."[49] Lulu would recall David Bowie inviting her to a concert he gave after which he met her in his hotel room saying: "I want to make a MF of a record with you [because] you're a great singer." Lulu – "I didn't think it would happen but [Bowie] followed up two days later. He was übercool at the time and I just wanted to be led by him. I loved everything he did. I didn't think 'The Man Who Sold the World' was the greatest song for my voice, but it was such a strong song in itself. I had no idea what it was about. In the studio Bowie kept telling me to smoke more cigarettes, to give my voice a certain quality."[50]

Regarding meeting her in the "Last Supper" at the Hotel Café Royal, Bowie later said, "We started talking about the possibility of working together. I was keen to get something fixed up, because I really have always thought that Lulu has incredible potential as a rock singer. I didn't think this potential had been fully realised...we decided on 'The Man Who Sold the World' as being most suitable."[15] Bowie produced Lulu's recording of "The Man Who Sold the World" with Mick Ronson during the July 1973 Pin Ups sessions at the Château d'Hérouville in Hérouville, France and also contributed saxophone and backing vocals.[15] The remainder of the band included Ronson on guitar, Trevor Bolder on bass, Mike Garson on piano, and Aynsley Dunbar on drums.[51] Bowie added saxophone overdubs and oversaw the final mix at Olympic Studios in London during the Diamond Dogs sessions.[15] According to O'Leary, Bowie had Lulu smoke cigarettes in between takes in order to "abrade" her voice.[49]

Lulu's version of "The Man Who Sold the World" was released as a single on 11 January 1974 by Polydor Records (as 2001 490),[47] with a cover of Bowie's Aladdin Sane track "Watch That Man" as the B-side.[52] She promoted her version with an appearance on the British television programme Top of the Pops on 10 January, in which she performed in a charcoal suit and gangster hat. According to Nicholas Pegg, this outfit bore a "remarkable resemblance" to the wardrobe of Bowie's future persona The Thin White Duke.[15] Neil Bartlett characterised her performances as "dressed and sounding exactly like a diminutive Bowie".[53] Her performances helped the single peak at No. 3 on the UK Singles Chart,[54] as well as No. 8 on the Irish Singles Chart,[55] and No. 24 and 10 on the Belgian and Netherlands Singles Charts, respectively.[56] O'Leary writes that the single charted higher than almost all of Bowie's 1970s singles and made his original recording "seem like a demo".[49] Jack Whatley of Far Out magazine writes that while Nirvana's cover is "the stuff of legend", it is Lulu's version of the song that "has us spellbound from its first sleazy moments."[57] He argues that she has the "perfect voice" for the track and calls the video a "seventies dream."[57] He further calls her first Top of the Pops performance "stunning, arresting, and a silky smooth affair, filled with enough sleaze to make your weekend feel naughty it remains the best version of Bowie’s iconic song."[57]

Track listing

[edit]

All songs written by David Bowie.[52]

  1. "The Man Who Sold the World" – 3:58
  2. "Watch That Man" – 5:11

Chart positions

[edit]
Chart (1974) Peak
position
Australia (Kent Music Report)[58] 81
Belgian Singles Chart (Ultratop)[56] 24
Netherlands Singles Chart[56] 10
Irish Singles Chart[55] 8
UK Singles Chart (Official Charts Company)[54] 3

Personnel

[edit]

According to Roy Carr and Charles Shaar Murray:[51]

Nirvana version

[edit]
"The Man Who Sold the World"
1995 CD promo single
Promotional single by Nirvana
from the album MTV Unplugged in New York
Released1995 (1995)
Recorded18 November 1993
StudioSony Music, New York City
Length4:20
LabelDGC
Songwriter(s)David Bowie
Producer(s)
Nirvana singles chronology
"Polly"
(1994)
"The Man Who Sold the World"
(1995)
"Where Did You Sleep Last Night"
(1995)
MTV Unplugged in New York track listing
Music video
"The Man Who Sold the World" (MTV Unplugged) on YouTube

Recording

[edit]

In his journals, Kurt Cobain of the American grunge band Nirvana ranked the album The Man Who Sold the World at number 45 in his top 50 favourite albums.[59] Cobain and bassist Krist Novoselic were introduced to The Man Who Sold the World by one of their drummers Chad Channing, who bought a used LP version and converted it to cassette. Cobain found great interest in the title track and was surprised to learn it was by David Bowie.[60] Nirvana subsequently recorded a live rendition of the song during their MTV Unplugged appearance at Sony Music Studios in New York City on 18 November 1993 and included it on their MTV Unplugged in New York album the following year.[61][62] The song was also released as a promotional single for the album in 1995.[63] Chris O'Leary notes that rather than play acoustic versions of their more popular songs, such as "Smells Like Teen Spirit", the band instead opted for relatively obscure cover versions, including "The Man Who Sold the World", which at the time, was considered a Bowie outtake by MTV standards.[60]

For their performance, Cobain ran his acoustic guitar through a fuzz box that he could trigger with a pedal, allowing the guitar to sound electric.[62] Nirvana's cover received considerable airplay on alternative rock radio stations and was also placed into heavy rotation on MTV in the US, peaking at number 3 on MTV's most played videos on 18 February 1995;[64] it also peaked for two weeks at number 7 on Canada's MuchMusic Countdown in March 1995.[65] The video was also placed into heavy rotation on MTV Europe.[66] Nirvana regularly covered the song during live sets after their MTV Unplugged performance up until Cobain's death in 1994. Following Cobain's death, O'Leary states that the group's performance of "The Man Who Sold the World" became Cobain's "ghost song".[60] In 2002, the song was re-released on Nirvana's self-titled "best of" compilation.[67] Douglas Wolk of Pitchfork argues that the song "didn't really become a standard" until Nirvana covered it.[23]

Reception

[edit]

Brian Kachejian of Classic Rock History called their performance of the song "haunting" and "mesmerising".[62] He writes, "Cobain's haunting vocals overtook and descended the Bowie lyric into an arena of darkness and hallucination that seemed to be Bowie's original intent. [The presence of the Meat Puppets' Cris and Curt Kirkwood], along with Cobain's lyrical phrasing and gritty yet humbling resonance, left the audience spellbound."[62] Stephen Thomas Erlewine of AllMusic, in his review of MTV Unplugged in New York, wrote: "No other band could have offered covers of David Bowie's "The Man Who Sold the World" and the folk standard "Where Did You Sleep Last Night" on the same record, turning in chilling performances of both – performances that reveal as much as their original songs."[61]

Bowie said of Nirvana's cover: "I was simply blown away when I found that Kurt Cobain liked my work, and have always wanted to talk to him about his reasons for covering 'The Man Who Sold the World'" and that "it was a good straight forward rendition and sounded somehow very honest. It would have been nice to have worked with him, but just talking with him would have been real cool."[68] Bowie called Nirvana's cover "heartfelt", noting that "until this [cover], it hadn't occurred to me that I was part of America's musical landscape. I always felt my weight in Europe, but not [in the US]."[69] In the wake of its release, Bowie bemoaned the fact that when he performed the number himself, he would encounter "kids that come up afterwards and say, 'It's cool you're doing a Nirvana song.' And I think, 'Fuck you, you little tosser!'"[4] Rolling Stone added: "If the mark of a good cover is that people do not even realise it's a cover, Nirvana certainly did a good job" and that "The song also took on new meaning after Cobain died. This was a man with the world at his finger tips, and he gave it all up".[70] The magazine ranked Nirvana's version number one in a reader's poll of the greatest live cover songs.[70]

Legacy and other versions

[edit]

At a pre–Grammy Awards party on 14 February 2016 for the 58th Annual Grammy Awards, surviving Nirvana band members Krist Novoselic, Dave Grohl, and Pat Smear teamed up with contemporary Beck to perform "The Man Who Sold the World" in tribute to Bowie–who had died the month before—with Beck performing vocals.[71] To mark what would have been Kurt Cobain's 50th birthday, in 2017 the Phonographic Performance Limited released a list of the twenty most-played Nirvana songs on TV and radio in the UK; "The Man Who Sold the World" ranked at number six.[72]

In 2013, an electric guitar version appeared on Nirvana's Live and Loud video album, which was also released digitally and on vinyl in 2019.[73] Later the same year, a rehearsal performance for their MTV Unplugged set was released on the 25th anniversary digital and vinyl editions of the album, and had only previously been available on the DVD version that was released in 2007.[74] On 4 January 2020, the surviving members of Nirvana again teamed up with Beck on vocals and St. Vincent on guitar to perform the song at a charity event for The Art of Elysium's annual Heaven gala.[75]

Track listings

[edit]

Charts

[edit]

Certifications

[edit]
Region Certification Certified units/sales
Australia (ARIA)[96] 2× Platinum 140,000
Brazil (Pro-Música Brasil)[97] Gold 30,000
Italy (FIMI)[98]
Sales since 2009
Gold 50,000
New Zealand (RMNZ)[99] Platinum 30,000
Spain (PROMUSICAE)[100] Gold 30,000
United Kingdom (BPI)[101]
Sales since 2004
Gold 400,000

Sales+streaming figures based on certification alone.

Accolades

[edit]
Year Publication Country Accolade Rank
1998 Kerrang! United Kingdom 20 Great Nirvana Songs Picked by the Stars[102] 20

Personnel

[edit]

References

[edit]
  1. ^ Cann 2010, pp. 191–192.
  2. ^ Cann 2010, pp. 210–211.
  3. ^ Cann 2010, p. 193.
  4. ^ a b c d e f g Pegg 2016, p. 316.
  5. ^ O'Leary 2015, p. 204.
  6. ^ Cann 2010, pp. 193–194.
  7. ^ a b Cann 2010, p. 210.
  8. ^ a b c d Doggett 2012, p. 103.
  9. ^ a b c d e f Doggett 2012, p. 104.
  10. ^ a b O'Leary 2015, p. 206.
  11. ^ Wolk, Douglas (4 November 2016). "How David Bowie Realized Theatrical Dreams on 'The Man Who Sold the World'". Rolling Stone. Archived from the original on 15 February 2020. Retrieved 4 April 2020.
  12. ^ O'Leary 2015, pp. 206–207.
  13. ^ Wallace, Grant (27 June 1999). "ChangesNowBowie Transcript – Radio 1". Archived from the original on 2 September 2016. Retrieved 19 January 2013.
  14. ^ a b Rolling Stone Staff (11 January 2016). "David Bowie: 30 Essential Songs". Rolling Stone. Archived from the original on 3 December 2019. Retrieved 3 April 2020.
  15. ^ a b c d e f g h Pegg 2016, p. 317.
  16. ^ King, Maureen (1997). "Future Legends: David Bowie and Science Fiction". In Morrison, Michael A. (ed.). Trajectories of the Fantastic: Selected Essays from the Fourteenth International Conference on the Fantastic in the Arts. Westport, Connecticut: Greenwood. p. 131.
  17. ^ Perone 2007, pp. 15–16.
  18. ^ Carr & Murray 1981, p. 38.
  19. ^ a b Pegg 2016, pp. 316–317.
  20. ^ a b Thompson, Dave. ""The Man Who Sold the World" – David Bowie". AllMusic. Archived from the original on 4 July 2019. Retrieved 3 April 2020.
  21. ^ The Man Who Sold the World (liner notes). David Bowie. US: Mercury Records. 1970. SR-61325.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  22. ^ The Man Who Sold the World (liner notes). David Bowie. UK: Mercury Records. 1971. 6338 041.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  23. ^ a b Wolk, Douglas (1 October 2015). "David Bowie: Five Years 1969–1973". Pitchfork. Archived from the original on 6 February 2016. Retrieved 1 October 2015.
  24. ^ "Space Oddity" (Single liner notes). David Bowie. US: RCA Victor. 1973. 74-0876.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  25. ^ "Life on Mars?" (Single liner notes). David Bowie. UK: RCA Victor. 1973. RCA 2316.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  26. ^ a b Kaufman, Spencer (11 January 2016). "Top 10 David Bowie songs". Ultimate Classic Rock. Archived from the original on 31 December 2019. Retrieved 25 January 2020.
  27. ^ Barker, Emily (8 January 2018). "David Bowie's 40 greatest songs – as decided by NME and friends". NME. Archived from the original on 3 November 2019. Retrieved 16 February 2020.
  28. ^ a b c Petridis, Alexis (19 March 2020). "David Bowie's 50 greatest songs – ranked!". The Guardian. Archived from the original on 22 March 2020. Retrieved 23 March 2020.
  29. ^ Erlewine, Stephen Thomas. "The Best of David Bowie 1969/1974 – David Bowie". AllMusic. Archived from the original on 8 May 2019. Retrieved 15 March 2020.
  30. ^ Erlewine, Stephen Thomas. "Best of Bowie – David Bowie". AllMusic. Archived from the original on 1 April 2019. Retrieved 15 March 2020.
  31. ^ Wolk, Douglas (20 November 2017). "David Bowie: Nothing Has Changed". Pitchfork. Archived from the original on 12 August 2017. Retrieved 11 August 2017.
  32. ^ Erlewine, Stephen Thomas. "Legacy – David Bowie". AllMusic. Archived from the original on 29 March 2020. Retrieved 29 March 2020.
  33. ^ Five Years (1969–1973) (Box set liner notes). David Bowie. UK, Europe & US: Parlophone. 2015. DBXL 1.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  34. ^ a b c d Pegg 2016, p. 318.
  35. ^ Erlewine, Stephen Thomas. "Bowie at the Beeb: The Best of the BBC Radio Sessions 68–72 – David Bowie". AllMusic. Archived from the original on 2 July 2018. Retrieved 10 March 2020.
  36. ^ Blistein, Jon (2 October 2018). "Davie Bowie's Glastonbury 2000 Set Getting Full Release". Rolling Stone. Archived from the original on 24 February 2020. Retrieved 4 April 2020.
  37. ^ Erlewine, Stephen Thomas. "A Reality Tour – Davis Bowie". AllMusic. Archived from the original on 18 August 2017. Retrieved 11 August 2017.
  38. ^ Mason, Adam (7 October 2022). "One Great Cover: Nirvana's "The Man Who Sold the World"". Cover Me. Retrieved 26 January 2024.
  39. ^ Stanton, Rick (3 March 2022). "Kojima says Bowie song holds the key to understanding Metal Gear Solid V". PC Gamer. Retrieved 26 January 2024.
  40. ^ "Strangers When We Meet" / "The Man Who Sold The World (Live)" (CD single liner notes). David Bowie. Europe: Arista Records. 1995. 7432133236 2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  41. ^ Is It Any Wonder? (CD EP liner notes). David Bowie. Europe: Parlophone/ISO Records. 2020. DBCD 80120.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  42. ^ Kreps, Daniel (29 January 2021). "David Bowie's 'Brilliant Live Adventures' Series Continues With 1997 Festival Gig". Rolling Stone. Retrieved 29 January 2021.
  43. ^ a b Blisten, Jon (8 January 2020). "Hear David Bowie's Airy, Previously Unreleased Version of 'The Man Who Sold the World'". Rolling Stone. Archived from the original on 14 January 2020. Retrieved 25 January 2020.
  44. ^ DeVille, Chris (8 January 2020). "Hear David Bowie's "The Man Who Sold The World (ChangesNowBowie Version)" From New Is It Any Wonder? EP". Stereogum. Archived from the original on 16 February 2020. Retrieved 4 April 2020.
  45. ^ Erlewine, Stephen Thomas (25 April 2020). "ChangesNowBowie – David Bowie". Pitchfork. Archived from the original on 29 April 2020. Retrieved 10 May 2020.
  46. ^ "British single certifications – David Bowie – The Man Who Sold The World". British Phonographic Industry. Retrieved 9 December 2022.
  47. ^ a b O'Leary 2015, p. 203.
  48. ^ Buckley 1999, p. 196.
  49. ^ a b c O'Leary 2015, p. 208.
  50. ^ Spitz 2009, p. 228.
  51. ^ a b Carr & Murray 1981, p. 118.
  52. ^ a b "The Man Who Sold the World" (Single liner notes). Lulu. UK: Polydor Records. 1974. 2001 490.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  53. ^ Bartlett, Neil (1988). Who Was That Man: a present for Mr Oscar Wilde. London: Serpent's Tail. pp. 244. ISBN 978-1-85242-123-6.
  54. ^ a b "Lulu – UK Singles Chart peak positions". Official Charts Company. Archived from the original on 6 January 2013. Retrieved 3 November 2013.
  55. ^ a b "Lulu – Irish Singles Chart peak positions". irishcharts.ie. Archived from the original on 11 April 2016. Retrieved 3 November 2013.
  56. ^ a b c "Lulu – "The Man Who Sold the World" – peak chart positions". www.dutchcharts.nl. Archived from the original on 10 November 2013. Retrieved 3 November 2013.
  57. ^ a b c Whatley, Jack (5 October 2019). "Forget Nirvana, Lulu's cover of David Bowie's 'Man Who Sold The World' is the only one you need". Far Out. Retrieved 4 April 2020.
  58. ^ Kent, David (1993). Australian Chart Book 1970–1992: 23 years of hit singles & albums from the top 100 charts. St Ives, N.S.W, Australia: Australian Chart Book. p. 182. ISBN 0-646-11917-6.
  59. ^ Kurt's Journals – His Top 50 Albums Archived 18 December 2010 at the Wayback Machine. http://www.nirvanaclub.com Archived 14 June 2010 at the Wayback Machine. Retrieved 24 July 2010.
  60. ^ a b c O'Leary 2015, p. 207.
  61. ^ a b Erlewine, Stephen Thomas. "MTV Unplugged in New York – Nirvana". AllMusic. Archived from the original on 26 March 2019. Retrieved 4 April 2020.
  62. ^ a b c d Kay, Brian (2016). "Nirvana's "The Man Who Sold the World" Performance was Haunting". Classic Rock History. Archived from the original on 27 October 2017. Retrieved 4 April 2020.
  63. ^ Baltin, Steve (21 January 1995). "Pop Singles" (PDF). Cashbox. p. 11. Retrieved 28 May 2019.
  64. ^ "Billboard Magazine – Video Monitor" (PDF). Billboard. 18 February 1995. p. 38. Retrieved 5 August 2018.
  65. ^ "MUCHMUSIC (CANADA) WEEKLY SINGLE CHARTS FOR 1995". hitsofalldecades.com. Retrieved 21 July 2019.
  66. ^
  67. ^ Bryant, Will (14 November 2002). "Nirvana: Nirvana | Album Reviews". Pitchfork. Archived from the original on 25 November 2011. Retrieved 16 November 2011.
  68. ^ St. Thomas, Kurt; Smith, Troy (2004). Nirvana: The Chosen Rejects. St. Martin's Press. p. 191. ISBN 0-312-20663-1.
  69. ^ Gundersen, Edna (14 September 1995), "Cover Story: Bowie, beyond fame and fashion", USA Today: D1, 2
  70. ^ a b "Readers' Poll: The Greatest Live Cover Songs". Rolling Stone. 12 February 2013. Retrieved 10 May 2020.
  71. ^ Renshaw, David (15 February 2016). "Beck and living Nirvana members honour David Bowie at pre-Grammy party". NME. Archived from the original on 16 February 2016. Retrieved 15 February 2016.
  72. ^ "20 most-played Nirvana songs revealed to mark Kurt Cobain's 50th birthday". Planet Rock. Archived from the original on 22 February 2017. Retrieved 3 March 2017.
  73. ^ "Nirvana Live And Loud live album to be released digitally and on vinyl". Radio X. 22 July 2019. Archived from the original on 22 July 2019. Retrieved 10 May 2020.
  74. ^ Kreps, Daniel (27 September 2019). "Nirvana to Reissue 'MTV Unplugged in New York' on Vinyl With Rehearsal Performances". Rolling Stone. Archived from the original on 5 December 2019. Retrieved 10 May 2020.
  75. ^ Lavin, Will (5 January 2020). "Watch Dave Grohl's daughter, St Vincent and Beck perform with surviving Nirvana members at reunion charity show". NME. Archived from the original on 28 March 2020. Retrieved 10 May 2020.
  76. ^ "The Man Who Sold the World" (CD promo single liner notes). Nirvana. US: Geffen Records. 1995. PRO-CD-4704.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  77. ^ "Unplugged in New York promos". nirvana-discography.com. Archived from the original on 6 May 2019. Retrieved 14 March 2020.
  78. ^ "Nirvana – The Man Who Sold the World" (in Dutch). Ultratop 50.
  79. ^ "Radio2 top 30: 4 March 1995" (in Dutch). Radio 2. Archived from the original on 4 March 2016. Retrieved 12 March 2023.
  80. ^ "Top RPM Singles: Issue 7984." RPM. Library and Archives Canada. Retrieved 13 August 2015.
  81. ^ "Contemporary Album Radio". The Record. 13 March 1995. p. 17. Retrieved 5 October 2023. LW
  82. ^ "M & M Charts Airplay EHR Top 40" (PDF). Music & Media. Music & Media. 18 February 1995. p. 33. Retrieved 26 January 2019.
  83. ^ "M & M Charts Airplay - France" (PDF). Music & Media. 1 July 1995. p. 27. Retrieved 8 February 2024.
  84. ^ "Íslenski Listinn Topp 40 (11.2 '95 – 17.2 '95)". Dagblaðið Vísir (in Icelandic). 11 February 1995. Retrieved 2 October 2019.
  85. ^ "Archiwum Listy Przebojow – Trojki – Nrivana". www.lp3.pl. Polskie Radio. Archived from the original on 11 November 2018. Retrieved 11 November 2018.
  86. ^
  87. ^ "Nirvana Chart History (Radio Songs)". Billboard.
  88. ^ "Nirvana Chart History (Alternative Airplay)". Billboard.
  89. ^ "Nirvana Chart History (Mainstream Rock)". Billboard.
  90. ^ "Alternative Top 50" (PDF). Radio & Records. Radio & Records. 10 March 1995. p. 62. Retrieved 20 February 2019.
  91. ^ "Rock Tracks Top 60" (PDF). Radio & Records. Radio & Records. 24 February 1995. p. 64. Retrieved 20 February 2019.
  92. ^ "Official Rock & Metal Singles Chart Top 40". Official Charts Company. Retrieved 15 April 2017.
  93. ^ "Nirvana – The Man Who Sold the World" (in French). Les classement single.
  94. ^ "Árslistinn 1995". Dagblaðið Vísir (in Icelandic). 2 January 1996. p. 16. Retrieved 30 May 2020.
  95. ^ "Top 95 of 95" (PDF). Radio & Records. Radio & Records. 22 December 1995. p. 86. Retrieved 20 February 2019.
  96. ^ "ARIA Charts – Accreditations – 2024 Singles" (PDF). Australian Recording Industry Association. Retrieved 8 March 2024.
  97. ^ "Brazilian single certifications – Nirvana – The Man Who Sold the World" (in Portuguese). Pro-Música Brasil. Retrieved 4 July 2024.
  98. ^ "Italian single certifications – Nirvana – The Man Who Sold the World" (in Italian). Federazione Industria Musicale Italiana. Retrieved 8 March 2024.
  99. ^ "New Zealand single certifications – Nirvana – The Man Who Sold The World". Radioscope. Retrieved 18 December 2024. Type The Man Who Sold The World in the "Search:" field.
  100. ^ "Spanish single certifications – Nirvana – The Man Who Sold the World". El portal de Música. Productores de Música de España. Retrieved 20 January 2024.
  101. ^ "British single certifications – Nirvana – The Man Who Sold the World". British Phonographic Industry. Retrieved 1 December 2023.
  102. ^ "The Hit List: 20 Great Nirvana Songs Picked by the Stars". Kerrang!. No. 709. 25 July 1998. p. 49. Retrieved 21 July 2019.
Sources
[edit]